THE INVISIBLE PAIN: REFLECTIONS ON THE SUFFERING OF BLACK MEN IN A PATRIARCHAL AND RACIST SOCIETY

Abstract

In this article, we investigate, from the perspective of black feminism and masculinity studies, the impacts of structural racism and patriarchal logic on the subjectivities of black men and their repercussions in society. The study aims to understand the existing theoretical landscape on the subject and its representation in contemporary artistic productions, recognizing the arts as precursors in capturing social changes. To address this issue, this study analyzes the song "Autoestima," composed and performed by the Bahian black singer Baco Exu do Blues. Through a personal narrative, the music allows the expression of repressed feelings due to the social construction that seeks to silence the emotions of black men, especially those from Brazilian peripheries. Art, in this context, emerges as a vehicle for protest and denunciation, giving voice to historically silenced individuals and challenging the invisibility that many have faced throughout history. In summary, this article emphasizes the importance of giving visibility to the experiences of black men and recognizes the vital role of artistic expressions in raising awareness about the complexities of their subjectivities. It is concluded that these men face constant racial tension that, through racism, can undermine their identity and affect their mental health.