Capturar e Resistir. Tecnologias Sonoras de Subjetivação no Judaísmo Contemporâneo
DOI:
https://doi.org/10.1590/SciELOPreprints.18650Palavras-chave:
som, judaísmo, dispositivo, subjetivação, paisagem sonoraResumo
O artigo analisa o som como dispositivo foucaultiano de subjetivação no judaísmo contemporâneo. Partindo do imperativo Shemá como programa epistemológico, percorre quatro arenas: a gênese sonora da coletividade bíblica; as paisagens sonoras generificadas, do pandeiro de Miriam à interdição do kol ishá; as fronteiras acústicas entre sagrado e secular; e a compressão digital do sagrado. O argumento central é que o som judaico produz sujeitos, governa corpos e inventa coletividades — e que cada captura gera sua resistência, do nigun ao shofar no protesto. Propõe-se a distinção entre kevá litúrgico — atravessado pelo hōs mḗ agambeniano — e kevá algorítmico — repetição sem revogação — como contribuição ao debate sobre religião e digitalização. O corpo emerge como limite irredutível que nenhuma mediação digital suprime.
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Copyright (c) 2026 Pablo Gabriel Schejtman
Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.
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